Sir Joshua Reynolds (16 July 1723 – 23 February 1792)
was an influential eighteenth-century English painter, specialising in
portraits and promoting the "Grand style" in painting which
depended on idealization of the imperfect. He was one of the founders and first
president of the Royal Academy. King George III appreciated his merits and
knighted him in 1769.
Reynolds studied painting in London and in 1742 began as a
portraitist in Devon. He was able to study the Italian masters when Commodore
Keppel, a friend, took him to Italy in 1749. After three years of study and
travel, Reynolds returned and took London by storm. Intensely ambitious,
Reynolds used his wit and charm as well as his artistic talents to advance
himself, and within a year he was besieged with portrait commissions and was
employing assistants. He maintained a gallery not only of his own works but
also those of old masters whose paintings he bought and sold. He entertained
the world of wealth and fashion and the great literary figures of the day. When
the Royal Academy was founded in 1768, Reynolds was inevitably elected
president and was knighted the following year. His annual discourses before the
Academy have literary distinction and are a significant exposition of academic
style, propounding eclectic generalization over direct observation, and
allusion to the classical past over the present.
Lord Keppel
Lady
Caroline Howard
The Grand Style, thus proclaimed, was of enormous influence
in the development of English portraiture. At 59, Reynolds had a paralytic
stroke but recovered sufficiently to continue his work for several years.
Before he lost his sight (1789), his style had become warmer and less formal,
having been influenced by Rubens. Reynolds painted more than 2,000 portraits
and historical paintings, depicting almost every notable person of his time. He
often used experimental painting methods, which resulted in works now poorly
preserved. His portraits of Commodore Keppel, Dr. Johnson, Lady Caroline
Howard, Mrs. Siddons, Sterne, Goldsmith, Garrick, Gibbon, and Edmund Burke are
among the many fine examples that are of historical interest. Reynolds's works
are in nearly every major museum in the western world. He is best represented
in the National Gallery, London, but examples of his work are to be seen in the
Metropolitan Museum of Art; the Museum of Fine Arts, Boston; the Cleveland
Museum of Art; and the Art Institute of Chicago.
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